Iris Marie Bergmann

Researcher/Visual Artist

Contact: irismarie.bergmann at  gmail dot com

also on Instagram

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Works in the exhibition “re-earthing”

3 – 18 July 2021, St Heliers Street Gallery, Abbotsford Convent, with Annie Edney

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A naked figure lies on sand, covered with large spiky and straw-like plant material that is blow along the beach.
Re-Earthing under Prickly Sandstars, 2021, Giclée print on 310g Canson paper, 51cm x 76cm

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Not coming to terms with Extinction, 2021, Giclée print and Acrylic, 72cm x 102cm

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Dance for Re-Earthing #1, 2021, Giclée print on Canson paper, 47cm x 65cm

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Dance for Re-Earthing #2, 2021, Giclée print on Canson paper, 47cm x 65cm

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Dance for Re-Earthing #3, 2021, Giclée print on Canson paper, 47cm x 65cm

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Works in Progress

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Dancer for the Dance for Re-Earthing Series, 2021

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Dancer for the Dance for Re-Earthing Series, 2021

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Dancer for the Dance for Re-Earthing Series, 2021

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Previous Works

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Human and Dog Feet in Mutual Relaxation, 2011, C-Type Print, 50 x 60 cm


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Human and Dog Feet in Mutual Relaxation Suspended 1, 2011, C-Type Print, 60 x 50 cm

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Photographic image of human and dog feet hanging in art gallery.
Work (left) hung in exhibition that accompanied the conference of the Australasian Animal Studies Association (AASA) (then the Australian Animal Studies Group), Brisbane 2011

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Photographic Triptych 1986-2019, photoographs overpainted with acylic and dirt
Triptych 1987, 1987, acrylic and sand on C-Type Prints, 71 x 203 cm

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Photograph of four bold mannequin heads, three of them overpainted and collage with cloth
Arrangement for Christine, 2013, C-Type Print, acrylic and cotton rag,  71 x 274 cm